Monday, October 29, 2018

Happy Birthday Island Books, Great American Read Winner, How to Build a Girl Movie, Quote of the Day, Putting the Fun in Funeral by Diana Pharoah Francis, The Bartered Brides by Mercedes Lackey, Born in Fire by K.F.Breene and Miss Kopp Just Won't Quit by Amy Stewart


As noted previously on my blog, Island Books on Mercer Island was my go-to-happy-place when I worked at the Mercer Island Reporter, from 1997-2005. The fact that the store was literally behind the MIR parking lot had nothing to do with it! It was a joy to just walk out the door of the MIR and walk a few paces into the back door of Island Books, there to encounter all the brilliant booksellers, including Roger Page (the owner) who were ready to recommend books I would love and to shove ARCs into my eager hands. My husband used to call me every payday and remind me not to spend my whole paycheck at Island Books, because we needed money for food and rent! Once we had a child, Nick became a fixture at the MIR and in Island Books children's room, where he happily played in their wooden playhouse, while his mom found yet another great children's classic to read to him at bedtime. Sadly, the MIR was sold and is no long staffed or created on Mercer Island, so I rarely get to shop there anymore, but now that the Pages have sold the store to someone else, I don't think it would be the same for me. But I still wish them a happy birthday.

Happy 45th Birthday, Island Books!

Mercer Island, Wash., which is celebrating its 45th anniversary on
Saturday, November 3, from 4-6 p.m. The event will include champagne and
cake. Customers are encouraged to bring photos of themselves taken in
the 1970s to share on the store's board and to share stories about
Island Books in its memory book.

I watched several episodes of the GAR, and the final one had me in tears, watching so many book lovers and authors shouting and applauding books that I've read and loved for  many years. I was thrilled that the magnificent To Kill a Mockingbird, by Nell Harper Lee, won the number one spot! Of all the books on the top 15 list, the only one I've not read is the Outlander series, which I found offensive for its portrayal of rape as being so easily dealt with and automatic in ancient Scotland. I couldn't finish the first book in the series for that reason. However, I loved the rest of the novels, and was surprised that out of the 100 top books chosen, the last 20-30 books were mostly ones I've not read or even heard of, for the most part.I was also slihgtly dismayed that Steinbeck was only represented by Grapes of Wrath, when so many of his other books are easier and more enjoyable reading, such as To A God Unknown and the wonderful Travels With Charley. Anyway, congrats to Harper Lee, wherever she is, while hoping she's sipping a mint juliep with Truman Capote in heaven.

Great American Read Winner is To Kill a Mockingbird

Harper Lee's classic novel To Kill a Mockingbird
was chosen by bookish voters as America's #1 best-loved novel in The Great American
results were unveiled last night on PBS during the final episode
of the eight-part television competition and nationwide campaign, which explored the power
of books and the joy of reading through the lens of America's 100
best-loved novels, as voted on by the public.

To Kill a Mockingbird led The Great American Read voting from the first
week, and maintained its advantage over the months of voting, despite
strong competition from the five finalists. Lee's novel also topped the
list of votes in every state except North Carolina (which preferred
Outlander) and Wyoming (Lord of The Rings). More than 4 million votes
were cast. The top 15 titles were:

1) To Kill a Mockingbird by Harper Lee
2) Outlander (series) by Diana Gabaldon
3) Harry Potter (series) by J.K. Rowling
4) Pride and Prejudice by Jane Austen
5) Lord of the Rings by J.R.R. Tolkien
6) Gone with the Wind by Margaret Mitchell
7) Charlotte's Web by E.B. White
8) Little Women by Louisa May Alcott
9) Chronicles of Narnia (series) by C.S. Lewis
10) Jane Eyre by Charlotte Bronte
11) Anne of Green Gables by L.M. Montgomery
12) The Grapes of Wrath by John Steinbeck
13) A Tree Grows in Brooklyn by Betty Smith
14) The Book Thief by Markus Zusak
15) The Great Gatsby by F. Scott Fitzgerald

I read Moran's first book, and I plan on picking up this one, mainly because I adore Emma Thompson and look forward to viewing everything she's done. 

Movies: How to Build a Girl
Emma Thompson will star in How to Build a Girl
based on Caitlin Moran's novel, the Hollywood Reporter wrote, adding
that Chris O'Dowd (Juliet, Naked) has also joined the cast that includes
Beanie Feldstein (Lady Bird), Alfie Allen (Game of Thrones), Paddy
Considine (The Death of Stalin) and Sarah Solemani (Bridget Jones'
Baby).The film comes from U.K. producer Monumental Pictures, which optioned
Moran's 2014 book and developed the project with Film4.
"We had fantasized about Emma Thompson playing the editor since we first
spoke with Caitlin about this project--I think Caitlin might have cut
the scene if Emma hadn't agreed!" said Alison Owen of Monumental
Pictures. "Thank goodness we struck lucky. We feel blessed."

Quotation of the Day

Booksellers 'Become Universal by Dint of Their Specificity'
 
"One of the virtues of my having no official business was the ability to
browse the aisles in a way our readers browse our stacks. Booksellers
know the value of serendipity and discovery well--our work, after all,
is to create experiences predicated upon unforeseen and unexpected
delights.
"The book is not dead. Books need booksellers. As a bookseller, I need
patience and courage. Booksellers, like great novelists, become
universal by dint of their specificity. Being decidedly of a particular
place is a profound way to be global. And the readers of any place have
a need to understand that place through experiences of elsewhere."

--Jeff Deutsch
director of Chicago's Seminary Co-op Bookstore
http://www.shelf-awareness.com/ct/uz3642037Biz38701588, writing about his experiences at the 2018 Frankfurt Book Fair for Bookselling This Week


Putting the Fun in Funeral by Diana Pharaoh Francis is a self published title, but not the first book of hers that I've read. I recall having a conversation with her via Facebook years ago, and being charmed by her wit and sincerity. I enjoyed reading three books in a series she'd written about pirates, but then she fell off my radar as a writer until recently, when this book was recommended by my fellow Steampunk readers of Gail Carriger's works. However, having read and reviewed more than a few poorly written self published books, I didn't have high expectations of FIF, so I was pleasantly surprised that there were only 5-6 obvious typos in the entire novel. Even traditionally published novels have an average of 3 typos per book, so I was glad to see that Francis cared enough about her work to do some copy editing and proofreading before having this work published. Well done, Ms Francis! I would also like to point out that this is a great book to read on or near Halloween, as it has scary monsters, scary people, bloodshed and sticky-sweet romance, all bundled together in one swiftly plotted place. Here's the blurb:
Beck Wyatt has always hated her mother-enough to kill her. As luck would have it, someone beats her to murdering Mommy Dearest and now Beck gets to plan the tackiest funeral the world has ever seen for the worst woman she's ever known.
But first, Beck has a few minor problems to deal with. First on the list? Avoid getting kidnapped. She also has to convince the police she didn't kill her mother. And then there's surviving a death curse ....
With the help of her three best friends, cheesecake, and a little magic, Beck figures she can handle anything, even the mysterious and irritating Damon Matroviani, whose sexy good-looks light her panties on fire.
All too soon, her life is turned inside out, and just when things are looking like they can't get any worse ... everything hits the fan.
While this book might seem to be just a paranormal romance at first blush, the author adds generous dollops of horror to the mix, and the 'steamy' love scenes, while frequent, go no further than describing sex,(thankfully without the precious euphemisms for body parts prevalent in most romance novels), while the protagonist and her man kiss and cuddle whenever they're not rescuing one another (or a dog) from something heinous.Personally, I found Damon to be controlling and possessive and abusive way too often for me to find his character attractive. He was obsessed with Beck, and obsession isn't love. Beck, after being tortured by her aunt/mother for most of her life really needs serious therapy before she embarks on a serious relationship, as she's unlikely to know how to say no to someone who abuses her, as its all she's ever known. Yet readers are supposed to think that Beck can continue to get beat up and almost die several times, and still not show any signs of PTSD . Still, while it had its faults, I enjoyed reading FIF, and I look forward to reading the next volume. For the zingy prose and the interesting protagonist, I'd give this book a B+, and recommend it to paranormal romance and horror readers.

The Bartered Brides by Mercedes Lackey is the 13th book in the Elemental Masters series, which is somehow appropriate for Halloween reading as well. I've read all of the Elemental Masters books, and enjoyed most of them, but this one added many more horrific elements than I was used to, including a serial killer who beheads poor young women and girls and uses them as magical "batteries" as he tries, ala Harry Potter's Voldemort, to resurrect this boss, the evil Professor Moriarty. Here's the blurb: The thirteenth novel in the magical alternate history Elemental Masters series continues the reimagined adventures of Sherlock Holmes in a richly-detailed alternate Victorian England.

The threat of Moriarty is gone—but so is Sherlock Holmes.
Even as they mourn the loss of their colleague, psychic Nan Killian, medium Sarah Lyon-White, and Elemental Masters John and Mary Watson must be vigilant, for members of Moriarty’s network are still at large. And their troubles are far from over: in a matter of weeks, two headless bodies of young brides wash up in major waterways. A couple who fears for their own recently-wedded daughter hires the group to investigate, but with each new body, the mystery only deepens.
The more bodies emerge, the more the gang suspects that there is dangerous magic at work, and that Moriarty’s associates are somehow involved. But as they race against the clock to uncover the killer, it will take all their talents, Magic, and Psychic Powers—and perhaps some help from a dearly departed friend—to bring the murderer to justice.

The twist at the end, which includes a transgender person, is quite clever, but I was still creeped out and horrified by all the blood and gore of the serial killings and the wretched lives of these girls (particularly Chinese girls) in Victorian England. I don't enjoy being frightened or nauseated by horror novels or movies, and I sincerely hope that the next installment in the series is less gruesome. That said, Lackey's prose is the gold standard for fantasy, and her plots never flag. I'd give the novel an A, and recommend it to anyone who has read her other Elemental Masters books.

Born in Fire by K.F. Breene is the second self published novel I've read this month, which has to be a new record for me, since I stopped reading and reviewing self pubbed works for two major review services about 5 years ago. This series was also recommended to be by folks on Gail Carriger's Facebook fan group, and while I'm always reluctant to pick up a self published work due to the poor quality of most of them, I was pleasantly surprised by Born in Fire, as there were under 10 typos and the author was obviously a natural storyteller. While the first 25 pages were riddled with cliches, Breene makes them work for her in often hilarious ways, throughout the rest of the text. Here's the blurb: Heart pounding and laugh out loud funny, USA Today Bestselling author K.F. Breene will take you on a magical joy ride you won’t soon forget.
Supernatural Bounty Hunter isn’t the sort of thing you see on LinkedIn. But with a rare type of magic like mine, I don’t have many options.
So dangerous or not, the job is mine. And it was going fine, until an old as sin vampire stole my mark, and with it, my pay day.
Knowing I’m poor and desperate, he has offered me a job. I’ll have to work by his side to help solve a top secret case.
Everyone knows not to trust vampires. Especially a hot elder vampire. But without any other jobs coming up, I’m stuck. As I uncover a web of lies and treachery, revealing an enemy I didn’t know existed, the truth of my identity is threatened. I might make it out alive, only to end up in a gilded cage.
The prose was highly stylized with tons of urban slang and cliches, as well as profanity, but it wasn't out of place with the snarky protagonist and her vampire partner. SPOILER, I wasn't at all surprised that Reagan is the daughter of Lucifer (and whenever they get that TV show going again, they should consider adding some of his illegitimate children to the mix, I think that Lucifer as a dad would be hilarious and fascinating) but I found it annoying that the author had to tell us how all the other supernaturals couldn't get enough of her yummy smell in every single chapter. I mean, we get it, Breene, move on! the plot swooped along like a vampire on fire, and the prose, though somewhat amateurish and fan-serviced, was readable. I'd give this book a B, and recommend it to anyone who wants a fast and funny paranormal romantic adventure.

Miss Kopp Just Won't Quit by Amy Stewart is the 4th novel in the Kopp Sisters series, all based on real women who lived during the years leading up to WWI. Having read all the other Kopp sisters novels, I remain steadfast in my loathing of Norma, the rude and cantankerous (and pigeon obsessed, yuck) younger sister who stays at home on the family farm, brings in no income and yet has the audacity to be controlling and critical of both Constance and Fleurette, though they both actually work to bring in money to keep them all in food and shelter. Meanwhile, Norma, who has nothing good to say about anyone, fiddles around with pigeons and mobile pigeon coops and bullies her sisters and everyone else she encounters. I gather we're somehow supposed to find this endearing, which is ridiculous. Here's the blurb: After a year on the job, New Jersey’s first female deputy sheriff has collared criminals, demanded justice for wronged women, and gained notoriety nationwide for her exploits. But on one stormy night, everything falls apart.
While transporting a woman to an insane asylum, Deputy Kopp discovers something deeply troubling about her story. Before she can investigate, another inmate bound for the asylum breaks free and tries to escape.
In both cases, Constance runs instinctively toward justice. But the fall of 1916 is a high-stakes election year, and any move she makes could jeopardize Sheriff Heath’s future—and her own. Although Constance is not on the ballot, her controversial career makes her the target of political attacks.
With wit and verve, book-club favorite Amy Stewart brilliantly conjures the life and times of the real Constance Kopp to give us this “unforgettable, not-to-be messed-with heroine” (Marie Claire).Publisher's Weekly:
Deputy Constance Kopp, of Bergen County, N.J., comes under scrutiny during the brutal 1916 election season in bestseller Stewart’s fraught fourth Kopp Sisters novel (after 2017’s Miss Kopp’s Midnight Confessions). While her mentor and boss, Sheriff Robert Heath, runs for Congress, the real-life Constance prepares for a successor less supportive of the “lady deputy.” Her extracurricular investigation into the case of Anna Kayser, a seemingly sane woman whose husband and doctor conspired to send her to a mental institution, unexpectedly threatens to affect the election. Stewart draws on newspaper accounts from the era for the vicious rhetoric aimed at Constance, whose audacity at working in a male-dominated profession provides political fodder for her boss’s opponents. Although the Kayser story eventually loses steam, Stewart skillfully builds nail-biting suspense around the election results and Constance’s subsequent employment prospects. The blend of practicality, forthrightness, and compassion in her first-person narration is sure to satisfy series fans and win new admirers. 
I disagree that this installment is satisfying to fans or new admirers. SPOILER, Constance loses her job when a new sexist Sheriff is elected, and her current boss loses his bid for a congressional seat. After all the good work she's done, it makes no difference to those who heap sexist slurs on her while the press engages in yellow journalism and makes her life even more fraught with danger and stress. Though the author leaves us with some hope of Constance and Norma and Fleurette getting work with the military in the lead up to America's involvement in WWI, I still felt let down by Sheriff Heath and the women in and out of the jails and asylums that Constance helped during her year as deputy/matron at the jail. Why was no one willing to stand up and help her? I can only imagine what horrors the women in the Bergen County jail will face with a man and male deputies in charge of their care. Though her prose was, as always, clean and strong, and her plot swift and sure, I was depressed after reading this novel, and while I would give it a B+, I wouldn't recommend it to anyone who has melancholy tendencies. 

Sunday, October 21, 2018

Wit's End Review, Tea Company CEO on Barnes and Noble Board, Retirement Party for Bookstore Cat, The Devil's Thief by Lisa Maxwell,The Dark Net by Benjamin Percy, And the Ocean Was Our Sky by Patrick Ness, and The Confidant by Helene Gremillon


I've always been a fan of witty writing, especially that of writers like PG Wodehouse and Dorothy Parker, who understood that humor could have dark and sarcastic edges. This book sounds fantastic, and I plan on finding a copy of it soon, though I don't agree that puns are the basis of wit. 

Review: Wit's End: What Wit Is, How It Works, and Why We Need It
  
In books about aphorisms (The World in a Phrase) and metaphor (I Is an
James Geary has demonstrated he's someone who admires an elegant turn of
phrase. He mines a similar lode in Wit's End, an entertaining
exploration of how intellectual dexterity manifests itself in both
verbal and visual form.
  
From the beginning of this brief but wide-ranging survey, Geary explains
that true wit is about much more than the ability to tell a good joke or
a humorous story. His working definition of the term--"the faculty of
mind that integrates knowledge and experience, fuses divided worlds, and
links the unlike with the like"--sums up his belief that true wit is
much more than merely being funny, something "richer, cannier, more
riddling."  
That thesis is best illustrated in Geary's discussion of puns. Though
most people have been taught to regard this form of wordplay as the
lowest form of humor, Geary has a particular affinity for the talent it
takes when one "folds a double knowledge into words." Citing their
prevalence in Shakespeare (with an average number of 78 per play) and
the Bible, as well as Abraham Lincoln's special fondness for them, Geary
argues that puns illustrate "the essence of all true wit--the ability to
hold in the mind two different ideas about the same thing at the same
time." 
Geary even touches on the subject of artistic wit. A chapter delivered
as if it were an art history lecture, and accompanied by a handful of
illustrations, discusses "ambiguous figures." The work of 16th-century
Italian artist Giuseppe Arcimboldo in the trompe l'oeil tradition, for
example, is "an elaborate visual pun, placing in the mind two different
images of the same thing at the same time." To that end, Geary cites the
portrait The Admiral, painted out of the images of fish and crustaceans.
In Wit's End, James Geary is undaunted by the risk anyone writing about
the subject of being funny takes: spoiling the joke by explaining it.
Refreshingly, he shows here that he's fully equal to the task, enhancing
our appreciation of how true wit can both amuse and enlighten. --Harvey
Freedenberg freelance reviewer


I've been a fan of Celestial Seasonings Tea for a long time, and Barnes and Noble has been my go-to chain bookstore for almost as long (though I prefer independent bookstores). So the following was welcome news indeed.

Tea Company CEO on Book Company Board!

Barnes & Noble has appointed Irwin D. Simon, founder, president, CEO and
chairman of the Hain Celestial Group, to its board of directors. Simon,
who will serve as an independent board member, was recommended by
Richard Schottenfeld.
An organic foods and personal care products company, Hain Celestial
Group is best known for its Celestial Seasonings herbal tea. It also
owns Arrowhead Mills, which sells whole grain foods, and FreeBird
chickens.
Simon might also have been recommended by Schottenfeld because of the
example he is setting as a company founder and longtime head who is
slowly handing over control of the company: Simon announced in June that
he would step down as CEO and become non-executive chairman when a new
CEO is appointed.

This is lovely that Sonny the bookstore kitty cat gets a well earned retirement party prior to moving into a home where he can just rest and relax, not among the stacks!

Retirement Party Set for Sonny the Bookstore Cat
Prairie Fox Books  in Ottawa, Ill., is
hosting a retirement party
this Saturday for Sonny, the bookstore cat who is stepping down from his
job greeting customers to move in with a familiar family, the Times
reported. Prairie Fox Books opened in 2016 as the spiritual successor to
longtime local business the Book Mouse.

Special events coordinator Dylan Conmy said Sonny doesn't know life
outside of a bookstore, having come to the Book Mouse as a kitten in the
summer of 2008. Now he will join a family with two children at the
recommendation of Eileen Fesco, who owned the Book Mouse.

"They have been contacting us frequently. They can't wait to get him. I
think he's going to be very happy and spoiled," said Conmy, who has been
Sonny's bookshop colleague since moving to Ottawa in 2012. "I have very
fond memories of him and Ernie, the chinchilla. It was the one super
unique thing when I started working at the Book Mouse, because you don't
often see a chinchilla walking around either. So to have this very
uniquely colored cat co-existing with the chinchilla, just chilling, it
was great. You don't see many Barnes & Nobles with a fuzzy mascot."

My primary reaction to The Devil's Thief by Lisa Maxwell was screaming "AAaahhhhhhhhh" and slamming my head against my desk in frustration. The sequel to The Last Magician, which I read and was anxiously awaiting answers to the cliffhanger ending, The Devil's Thief provides readers with nothing more than nearly 700 pages of run around and redundancies. There isn't even a proper ending to the book, nothing is decided or tied up, and things have gone from bad to worse for the protagonists, particularly Esta and Harte. Not that Cela, Jianyu and all of the other characters have had an easy time of it. Everyone gets beaten, bruised and nearly killed in this installment, but they get little forward movement on their quest for all their trouble, and Maxwell seems hell bent on having every character drone on and on about their horrid families, how they don't fit in with any society or gang, and how guilty they feel for all the damage they've caused and their inability to regain the jewels and book needed to complete their quest. Why any decent editor at Simon Pulse would allow Maxwell to repeatedly let her characters say and do the same things over and over, is beyond me. Here's the blurb: In this spellbinding sequel to the New York Times bestselling The Last Magician, Esta and Harte set off on a cross-country chase through time to steal back the elemental stones they need to save the future of magic.
Hunt the Stones.
Beware the Thief.
Avenge the Past.
Esta’s parents were murdered. Her life was stolen. And everything she knew about magic was a lie. She thought the Book of Mysteries held the key to freeing the Mageus from the Order’s grasp, but the danger within its pages was greater than she ever imagined.
Now the Book’s furious power lives inside Harte. If he can’t control it, it will rip apart the world to get its revenge, and it will use Esta to do it.
To bind the power, Esta and Harte must track down four elemental stones scattered across the continent. But the world outside the city is like nothing they expected. There are Mageus beyond the Brink not willing to live in the shadows—and the Order isn’t alone in its mission to crush them.
In St. Louis, the extravagant World’s Fair hides the first stone, but an old enemy is out for revenge and a new enemy is emerging. And back in New York, Viola and Jianyu must defeat a traitor in a city on the verge of chaos.
As past and future collide, time is running out to rewrite history—even for a time-traveling thief. 
So all we really learn is that this whole magical object war was brought about by Thoth and Seshet, two ancient Egyptians with huge egos who wanted power for themselves and didn't want to share. So now they're inhabiting other bodies in order to battle for supremacy and revenge. Meanwhile, Harte, who is possessed by Seshet, has to wrestle with his lust and desire to possess Esta both magically and as a woman, whom he clearly wants to dominate (which is less romantic than it is creepy and abusive). This hefty tome is less spellbinding than it is impenetrable with the circular motion of the plot...once you think it's going forward, it's actually turning back around on itself, again. I implore you not to purchase this book that I wasted two days reading. It's not worth it, as we get no answers and no real forward motion on the plot points in the end. Borrow a copy from the library or beg one from a friend, if you must. I would suggest waiting for the hopefully final third book of the series and skipping this one altogether. I'd give it a C, and only recommend it to those who can't read a series without having read every single book, no matter how unworthy, to completion. And if I ever meet Ms Maxwell, I will have to refrain from kicking her in the shins for wasting my time and money on this overstuffed volume.

I am not a fan of horror fiction, or the hybrid genres thereof. Yet The Dark Net by Benjamin Percy, which was recommended to me as a "dark science fiction thriller" (which I should have known is code for "horror fiction tarted up with a bit of SF and a fast thriller plot" ) grabbed me with it's spiky claws and would not let me go until the final 15-20 pages. The first 30 pages alone left me gasping with the breakneck pace of the plot, but also the realistic characters and the plausibility of the grim and bizarre situations facing the protagonists. My heart literally pounded, and I ran (okay, hobbled, but still) to tell my son about this relentlessly amazing story that, though gruesome, would fascinate him as much as it did me (Like The Martian or The Name of the Wind, or Scythe, there are books that I know that will transcend the age and preferential differences between my son and I, the back-end baby boomer and the millennial). Here's the blurb: The Dark Net is real. An anonymous and often criminal arena that exists in the secret far reaches of the Web, some use it to manage Bitcoins, pirate movies and music, or traffic in drugs and stolen goods. And now, an ancient darkness is gathering there as well. This force is threatening to spread virally into the real world unless it can be stopped by members of a ragtag crew, including a twelve-year-old who has been fitted with a high-tech visual prosthetic to combat her blindness; a technophobic journalist; a one-time child evangelist with an arsenal in his basement; and a hacker who believes himself a soldier of the Internet. Set in present-day Portland, The Dark Net is a cracked-mirror version of the digital nightmare we already live in, a timely and wildly imaginative techno-thriller about the evil that lurks in real and virtual spaces, and the power of a united few to fight back.
“This is horror literature’s bebop, bold, smart, confident in its capacity to redefine its genre from the ground up. Read this book, but take a firm grip on your hat before you start.”—Peter Straub 
I have to agree with Peter Straub, you've got to grab hold of the handlebars of this roller coaster before you start the ride, which will leave you by turns screaming and begging the heavens for a way off before you vomit or your head explodes. Though the main protagonist is a journalist for the Oregonian, Percy doesn't seem to have too much respect for the institution of journalism or for it's practitioners, whom he likens to vultures who are selfish and cruel enough to do anything for a story. Having been a journalist for over 30 years at community magazines, newspapers and news websites, I heartily disagree. I never sought to harm others with my work, nor did I intrude or steal or violate any policies or laws to get stories for publication. I don't believe that my colleagues did, either. I didn't like the Buffalo Bill/Jeffrey Dahmer serial killer lionization in the book, nor did I like all the gratuitous death, bloodshed and violence. That said, Percy, like Stephen King, is a master craftsman/wordsmith who didn't waste one sentence or paragraph in this slender volume. I'd give it an A on technical ability alone, but the story is worth high marks, as are some of the characters. I'd recommend this book to people who like Kings work and love technology, Portland, Oregon and dark, bloody page-turners.

And the Ocean Was Our Sky by Patrick Ness, illustrated by Rovina Cai, is an amazing, beautiful book that tells the tale of Moby Dick from the perspective of the whales, out to hunt the mysterious white ship captained by the infamous whale killer Toby Wick, the devil himself. This book is beautifully written and illustrated, and would be a fine addition to someone's classic library. At a spare 160 pages, the story moves quickly, though it ought to be savored slowly as possible, just for the poignancy of the whale's culture and mythology if nothing else. Here's the blurb: From the author of A Monster Calls comes a richly illustrated and lyrical tale, one that asks harrowing questions about power, loyalty, obsession, and the monsters we make of others.
With harpoons strapped to their backs, the proud whales of Bathsheba's pod live for the hunt, fighting in the ongoing war against the world of men. When they attack a ship bobbing on the surface of the Abyss, they expect to find easy prey. Instead, they find the trail of a myth, a monster, perhaps the devil himself...
As their relentless Captain leads the chase, they embark on a final, vengeful hunt, one that will forever change the worlds of both whales and men.
With the lush, atmospheric art of Rovina Cai woven in throughout, this remarkable work by Patrick Ness turns the familiar tale of Moby Dick upside down and tells a story all its own with epic triumph and devastating fate.  
The power of pain and obsession and finally of compassion between species is at the heart of this novel, which left me crying in a way that the original Moby Dick failed to do. I felt like I understood Bathsheba, though she was a whale dedicated to hunting down a human, though he was a vile one,and to preserving the life of the human that her pod had kidnapped for information. I highly recommend this A list book, to anyone who wonders how ocean-dwelling mammals might view the world above them.

The Confidant by Helene Gremillon was one of those trade paperbacks that looked like it would be my kind of novel from the outside. Unfortunately, the inside prose was difficult to follow and roamed from POV to POV without any real logic or structure. The story of a vicious and insane barren woman and a young credulous woman who falls in love with her husband (and bears their child) is ground to sausage by the different points of view, so that by the time I reached the weird poem at the end, I wasn't sure who was really to blame for this poor child parentage and unusual upbringing, where she finds herself pregnant also with an illegitimate child. Here's the blurb: Paris, 1975. Camille sifts through letters of condolence after her mother's death when a strange, handwritten missive stops her short. At first she believes she received it by mistake. But then, a new letter arrives each week from a mysterious stranger, Louis, who seems intent on recounting the story of his first love, Annie. They were separated in the years before World War II when Annie befriended a wealthy, barren couple and fell victim to a merciless plot just as German troops arrive in Paris. But also awaiting Camille's discovery is the other side of the story, which will call into question Annie's innocence and reveal the devastating consequences of jealousy and revenge. As Camille reads on, she begins to realize that her own life may be the next chapter in this tragic story. Publisher's Weekly:
Set in Paris in 1975, Gremillon’s absorbing debut begins when Camille Werner receives a long, unsigned, handwritten letter among the condolence notes after her mother’s death. Already in a state of shock, both from the unexpected death and from breaking up with her boyfriend after his casual mention of not wanting children when Camille told him she was pregnant, Camille becomes fascinated with the correspondent’s tale of a budding romance between two teenage friends, Annie and Louis, in a small town on the cusp of WWII. Camille becomes convinced that it is this Louis who wrote to her, though she assumes her receipt of the missives is a mistake. In subsequent letters (which are differentiated from Camille’s narrative by the use of fonts), Louis spins his tale of a love that became doomed when Annie was befriended by a young, wealthy, and unhappy Parisian couple. As a book editor, Camille wonders if Louis (who never signs the letters) is trying to wangle a publishing contract. But when he reveals that Annie has a daughter born around the time of Camille’s own birth, Camille becomes obsessed with locating Louis and getting the whole story behind his letters.
Gremillon's prose is amateurish and confusing, and her characters are awful, cruel, possessive and preachy. I found the plot plodding and couldn't wait for the end of this sordid story. I'd give it a C, and only recommend it to those who find tales of parental obsession to be exciting. Be prepared to find these cardboard characters a disappointment.

 

Monday, October 15, 2018

Lamott's Notes on Hope, Amazon's Wage Hike, New Kopp Sisters Novel, I Think I Love You by Allison Pearson, An Easy Death by Charlaine Harris and Midnight at the Bright Ideas Bookstore by Matthew Sullivan


This post is late because I have had a crazy couple of weeks, with my 21st wedding anniversary, my mothers 81st birthday, doctors appointments, Crohn's flares and crazy neighbors moving in across the street, as well as a family of raccoons feasting on the last of the pears in our trees (there's ma, pa, and four fuzzy little trash pandas). Of course the new season of Doctor Who, with a female Doctor at the helm of the TARDIS has also just begun, (and it's WONDERFUL) and several of my favorite shows have started going downhill with changes in cast and crew. But I've managed to read a few books anyway, and I've got some interesting tidbits to share as well.

I am one of the few writers I know who doesn't like Anne Lamott's Bird by Bird, but I have read several of her other books, and I really enjoyed them. I also loved this review from Shelf Awareness enough that I will be looking for a copy of her latest book ASAP.

Review: Almost Everything: Notes on Hope

"Some days there seems to be little reason for hope, in our families,
cities, and world," admits essayist Anne Lamott. "Well, except for
almost everything." That exception is the impetus for Lamott's essay
collection Almost Everything: Notes on Hope. Lamott, who has made a
career out of facing the darkness honestly and then looking for the
pinpricks of light, brings her pithy, self-deprecating humor to bear on
such topics as a friend's alcoholism, the power of stories to redeem and
transform and the ways grace sneaks in: without warning and against all
expectations.

Lamott (Hallelujah Anyway) begins by confessing, "I am stockpiling
antibiotics for the apocalypse, even as I await the blossoming of
paperwhites on the windowsill in the kitchen." In brief, wry chapters on
topics such as "Puzzles" (not the 500-piece kind), "Humans 101" and
"Famblies," she explores the complicated truth of "the mess and the
tenderness"--the ordinary human condition, shot through with despair and
joy. This takes the form, at times, of sticking with friends and family
members through illness and death, learning to treat ourselves and our
bodies with kindness and struggling not to give in to hate in a
fear-filled political climate. It also can mean glancing out the window
at a bird, laughing (kindly) at ourselves and simply being willing to be
amazed.

Through rambling anecdotes from her life and the writing classes she
teaches, Lamott comes back to a few key truths: every human being is
valuable; stories teach us to hope and hold us together; and this life
is full of joy and beauty, which often appear right after we've almost
given up. The chapter on writing harkens back to her classic Bird by
Bird, with its emphasis on plain hard work, sticking to the truth of a
story (even a fictional one) and keeping an eye out for the telling or
magical detail. "We have to cultivate the habits of curiosity and paying
attention," Lamott says, because they are "essential to living rich
lives and writing."

On the days when "it doesn't feel like the light is making a lot of
progress," Lamott also recognizes that "love has bridged the high-rises
of despair we were about to fall between." Fortunately for Lamott's
readers, this book, like her others, is both a celebration of that
bridge and a gentle but insistent call to keep building. --Katie Noah
Gibson blogger at Cakes, Tea and Dreams


It's about time that Billionaire Jeff Bezos actually ponied up a decent wage for his employees. Now if he'd only work on making the working conditions in the warehouses decent, so employees don't have to pass out from the heat, and so they're allowed to go to the bathroom, that would be great.

Amazon: Wage Bump
Amazon will increase its minimum wage to $15 for all full-time,
part-time, temporary (including those hired by agencies) and seasonal
employees across the U.S., effective November 1. According to the
company, the move benefits more than 250,000 employees, as well as some
100,000 seasonal employees who will be hired at Amazon sites across the
country for the upcoming holidays.

"We listened to our critics, thought hard about what we wanted to do,
and decided we want to lead," said Amazon CEO Jeff Bezos. "We're excited
about this change and encourage our competitors and other large
employers to join us."

Amazon's public policy team will also begin advocating for an increase
in the federal minimum wage. "We will be working to gain Congressional
support for an increase in the federal minimum wage," said Jay Carney,
senior v-p of Amazon Global Corporate Affairs. "The current rate of
$7.25 was set nearly a decade ago. We intend to advocate for a minimum
wage increase that will have a profound impact on the lives of tens of
millions of people and families across this country."

I have read all of the Kopp sisters novels, and I am delighted that a new one is coming out now, though I am sure I will still have my complaints about the frivolous sister and the farming sister being such a drag on their elder sister Constance.

Miss Kopp Just Won't Quit: A Kopp Sisters Novel
Amy Stewart (Houghton Mifflin Harcourt, $26, 9781328736512). "I have
enjoyed Amy Stewart's Miss Kopp adventures since the beginning, and this
fourth novel is just as good as the first. With a feminist edge and true
historical details, Amy Stewart has brought Constance Kopp to life in
such a well-developed and interesting manner; not only are the
characters exemplary, but the story is grabbing and exciting as well. I
hope this is not the end of Constance and her sisters, because World War
I is on the brink and I think they would be the perfect small-town
heroines for the fight." --Lauren Nopenz Fairley, Curious Iguana,
Frederick, Md.

I think I Love You by Allison Pearson is a book tailor-made for women of my generation, ie the tail end of the Baby Boomers (1960-64). The teenage protagonists are all the same age as I was in 1974 (13) and all are obsessed with David Cassidy and the Partridge Family (and some are obsessed with Donny Osmond and Bobby Sherman, too, as I was, briefly) TV show that aired for several seasons in the 1970s. The only difference is that these girls, mainly Petra and Sharon, live in poor circumstances in Wales, a small country near Scotland in the UK. They get all their information (and posters) about David from professionally created fan magazines that they read cover to cover, always answering the quizzes and trying to find ways to make themselves more attractive to their dreamy pop star idol. I used to read Tiger Beat Magazine when I was 13, and Seventeen Magazine, which seemed very sophisticated to a 13 year old, and I obsessed over the quizzes and soforth as well. I also had a couple of friends in the neighborhood who formed a fan club with me, and we all had to take "code" names that identified us as super fans of the Partridge Family and David Cassidy. I was "Susan Dey" (not very original, I admit) and I was in charge of cutting out pictures and posters of David from the magazines I bought whenever we went into town to the drug store. I also had a hideous poncho and I wore my hair "feathered" back as often as possible, though my straight as a string hair refused to feather or hold a big curl like the famous Farrah Faucett, whose poster graced every teenage boy's wall at the time. So reading this book and following Petra and Sharon and the magazine writer's stories was like reading a biography of my early teen years in Saylorville, Iowa, which was often just as remote as Wales was for the protagonists of this tale. Oh, and like Petra, I know what it is like to have a beautiful German mother to try to live up to. Here's the blurb: Publisher's Weekly: Pearson (I Don't Know How She Does It) dips into Nick Hornby country in her slick latest. In 1974 Wales, 13-year-old Petra is in love with David Cassidy, an obsession she shares with her best friend, Sharon. When they hear that Cassidy is playing a concert in London, the girls sneak away to see him, bringing Petra into brief contact with Bill, who writes for The Essential David Cassidy Magazine. Nearly 25 years later, Petra is separated and seeing how she had sacrificed her ambitions for her husband's when, after her mother's funeral, she discovers a letter her mother had intercepted years before. The letter was informing Petra she had won the Ultimate David Cassidy Quiz, and her prize was a trip to meet the star in California. A magazine picks up the story of Petra's missed opportunity, and suddenly Petra and Sharon, along with Bill, who now works for this magazine, are headed to Las Vegas for a belated meeting. Petra has a piercing wit and a boundless charm, but it's Pearson's insights into friendship, celebrity worship from the inside out, and the knocks you take in life that create a winning novel of hope, lost and found.
I remembered all the Cassidy song lyrics quoted in the novel, and I amazed myself with how much space in my brain is engraved with such silly things as lyrics to 45 year old pop songs. The prose is strong and clean, and the plot, though slightly predictable, still moves along at a nice clip and is well structured for this nostalgic story. I only wish that Pearson wouldn't have included her interview with an aging and depressed Cassidy at the end of the book, because he comes off as unhappy and "ruined" by his experience with the weight of instant fame and fortune. The interview took place in 2004, but I doubt anyone knew at that time that he'd die of liver failure in 2017, a year ago, so the stupid questions that Pearson asks seem a huge waste of time, but one can hardly blame her for asking things she would have asked as one of millions of teenagers crushing/obsessing on Cassidy back in the 70s.  I'd give this novel an A-, and recommend it to any women who were teenagers back in the 70s and who remember what it was like to be infatuated with a pretty young man who could sing his heart out while showing off his dazzling smile and sparkling eyes. 

An Easy Death by Charlaine Harris is the start of a new science fiction/western/fantasy series by the author of the Sookie Stackhouse series, made into that dreadful TV series TrueBlood. Having read all of the Sookie books, and three of the Midnight Texas series, (though I like the TV show version of Midnight Texas better than the books, which is strange/unusual for me) I figured that I had a pretty good idea of how Harris structures her stories and how she creates worlds and characters. But this new series threw me a bit, as the female protagonist, Lizbeth "Gunnie" Rose, is not at all like Sookie or any of her other female characters, she's a lot more of a loner, tougher and much more sure of herself and her abilities as a gunslinger/protector. Here's the blurb: Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it. They’re searching through the small border towns near Mexico, trying to locate a low-level magic practitioner, Oleg Karkarov. The wizards believe Oleg is a direct descendant of Grigori Rasputin, and that Oleg’s blood can save the young tsar’s life.Publisher's Weekly:
In a bleak alternate history of what’s left of a broken-up United States after Franklin Roosevelt is assassinated—where poverty is rampant and magic is real but not widely accepted—Harris (the Midnight, Texas series) tells the harrowing story of a young bodyguard, Lizbeth “Gunnie” Rose, whose job is to keep others alive. After her team and closest friends are killed in a mission gone wrong, Rose is forced to move on for the sake of survival, even if it means taking a gig protecting those she’s spent her life hating: two Russian wizards, or grigoris, who have come to town looking for another wizard. She tells them he’s dead, but doesn’t mention that she killed him—or why. It’s not until she’s too deep into the search for his brother that she finds out her own life is in danger: these wizards are more hunted than they realized, but she may be the one the hunters really want. In this fast-paced thriller fueled by magic and gunslinging, no one can be trusted. Harris’s vividly detailed story will leave readers enthralled with the fascinating setting and a heroine who’s sure to be a new fan favorite.As the trio journey through an altered America, shattered into several countries by the assassination of Franklin Roosevelt and the Great Depression, they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose is a gunnie who has never failed a client, but her oath will test all of her skills and resolve to get them all out alive.
SPOILER, the wizard that she kills is her father, who raped her mother and left Gunnie Rose with a deep hatred of the grigoris and of having some of their DNA in her makeup. This doesn't stop her from having sex with one of the wizards, however, which seems, at first, a bit gratuitous. Still, the prose is gritty and the thriller-style plot is faster than a speeding bullet. I look forward to the sequel. I'd give this book an A, and recommend it to anyone who likes reimagined histories and strong female protagonists.

Midnight at the Bright Ideas Bookstore by Matthew Sullivan was a book that I was hoping would be uplifting, since it was supposedly about a bookstore, and bookstores have always been havens of calm and joy for me. Unfortunately, this book was less about books and bookstores than it was about severely damaged people and a bookseller, Lydia, who insists on treating her store like a homeless shelter for mentally unstable and depressed people, mostly men/boys. Here's the blurb:
When a bookshop patron commits suicide, his favorite store clerk must unravel the puzzle he left behind in this “intriguingly dark, twisty” (Kirkus Reviews) debut novel from an award-winning short story writer.
Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs—the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves.
But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia?
As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.
This is much more of a horror thriller than it is a regular fiction novel, and if I would have known that, I never would have purchased a copy. The story opens with a young man hanging himself, and then readers are 'treated' to details of Lydia's horrific childhood trauma of seeing/hearing her friend's entire family being slaughtered with a hammer by someone known only as the "Hammerman," who, for reasons no one can fathom, leaves Lydia (a child at the time) alive. SPOILERS, what sticks in my craw about this book is that Lydia never puts it together than her friend Raj's insanely violent, jealous and abusive father is the Hammerman, when it would have been obvious to me that because I was his son's friend, I managed to evade his murder spree. Also, Raj's mother is a nutter, to give up her illegitimate child and continue to knuckle under to Raj's father's cruelty. Why do women live with murderers and violent abusers? It makes no sense to me, especially when lives are at stake. Fortunately, there's a reckoning, but why Lydia would even talk to Raj, let alone start a relationship with him, knowing that his father was the man who murdered her childhood and slaughtered an entire family in cold blood, is beyond me. I would run far and fast, from the whole town and all the creepy people in it. I think that Sullivan casts Lydia as a kind of Mother Theresa/Madonna figure here, who saves and soothes all the men and iswilling to forgive and forget her horrific past because she's a tender-hearted woman. Blech. What a sexist cliche. This lends more credence to my theory that most male authors can't write convincing female protagonists without resorting to stereotypes/tropes and cliches. There is also always more violence and violence against women and children in male-authored novels, at least that I've read. This saddens and disgusts me in equal measure. I'd therefore give this book a C, and only recommend it to people who like reading about death, serial killers and depression/trauma.