Movies: InvestiGators
Animation studio Sycamore Studios has acquired the animated motion picture rights to the John Patrick Green InvestiGators book franchise, Deadline reported, adding that the crime-fighting alligators series has five million copies in print since its debut in 2020.
"Great family franchises don't come along very often, and when they do, they have a way of capturing the imagination of an entire generation. InvestiGators is one of those rare properties," said Christian McGuigan, co-founder and CEO of Sycamore Studios. "John Patrick Green has created something incredibly rare: a wholly original world that children genuinely love.... We couldn't be more excited to partner with John and bring Mango and Brash to audiences around the world."
"I've always believed InvestiGators had the potential to leap beyond the page," Green said. "It's been amazing watching readers embrace these characters over the past several years, and I'm thrilled to be partnering with Sycamore as we begin the next chapter of their adventure."
Hurrah for Beaverdale Books! I love the shout out to simpler times when (and I remember this, too) Beaverdale was a sleepy little Iowa village.
Beaverdale Books, Des Moines, Iowa, to Celebrate Expansion, 20th Birthday on Saturday
Beaverdale Books in Des Moines, Iowa, will host a 20th birthday party this coming Saturday, July 11, that will also celebrate the shop's recent expansion. The Register reported that the bookstore, which took over a neighboring law office, has doubled its size. Founder and co-owner Alice Meyer joked that before the expansion, a visiting author who could attract a crowd in excess of the store's 35 chairs could claim a "standing-room only" signing. "It's very cozy."
Since 2015, Meyer has worked with Hunter Gillum, who became majority owner of the store in 2023. Gillum "will take over day-to-day operations of the store after Meyer's retirement at a date to be determined," the Register noted, adding that the new space will allow Gillum to move his office from a nook in the original store to the back of the former law office. "It was kind of like something we'd been dreaming about for years," Meyer said of the expansion. "And then we jumped on it."
Meyer, who moved to Beaverdale in 1982, recalled when the building that houses her store didn't exist: "It was a little village. Clothing stores, and there was a five-and-dime store. I might be dating myself there."
The bookstore took over the lease for the new space in September 2023, when one of the two lawyers moved out. After the other one left in January, the bookstore owners began to plan the expansion, which involved new lighting and flooring, as well as removing the wall that once separated the two sides of the store. The Register noted that Gillum "looks forward to leading the store into its future, even if it means he has less time to read (doubly so since he welcomed a baby last year)."
I hope to be able to visit this new bookstore, though I'm not a wine drinker. It sounds delightful, and I love a good romance section.
Verse & Vine Opens in Poulsbo, Wash.
Verse & Vine, a romance-focused bookstore and wine lounge, opened in Poulsbo, Wash., on July 3, the Kitsap Sun reported. Located inside of a renovated historic home at 19679 Front St. NE, Verse & Vine carries a wide selection of romance titles. The lounge serves wine, tea, and a selection of small bites. There is also a garden, which customers can reserve for things like book club meetings.
Owners and mother-daughter team Jaci Bryant and Carmen Garringer described Verse & Vine as a love letter to the Poulsbo and Kitsap County communities, which helped raise money when Garringer was diagnosed with cancer as a child.
"This community as a whole has really taken care of us," Bryant told the Kitsap Sun. "While we were gone at treatment, the Kitsap County as a whole, but particularly North Kitsap County, were raising funds so we could continue on with what life looked like and reduce stress."
Both avid readers, Garringer and Bryant were inspired to start a romance bookstore of their own after going to a book signing at another romance bookstore. Adding wine to the mix, Garringer said, was an immediate next step.
They found Verse & Vine's future home in December 2025 and purchased it in February. Built in 1906, the house had previously belonged to a CPA office and had not been renovated since the 1980s.
Bryant and Garringer have turned it into a cozy, living room-like space, and are adding a 700-square-foot addition they are calling the Conservatory. They plan to use it for events, including author talks, movie nights, and paint-and-sip nights, and aim for it to be open by October.
I love anything Chrissy Metz is in, she's a powerhouse actress and a larger person in an industry full of stick-figure women.
TV: Nocturne
Apple TV has revealed a first look at Nocturne, a new series based on the internationally bestselling crime novels Lazarus and The Sandman by Lars Kepler. The 10-episode drama stars and is executive produced by Liev Schreiber and Zazie Beetz. It will make its global debut October 30 on Apple TV with the first two episodes, followed by new episodes every Friday through December 25.
The cast also includes Stephen Graham, Bill Camp, Rory Culkin, Chrissy Metz, Poorna Jagannathan, and Gary Carr. Nocturne was written and executive produced by John Hlavin, who also serves as the showrunner. It was created for TV, written, and exec produced by Rowan Joffé.
The project "tells the story of Jonah Lynn (Schreiber), an ex-soldier turned homicide detective who, tired of working the tough streets of Philadelphia, moves to a small town in western Pennsylvania for a quiet life. But, as the town and his family come under attack from the diabolically cunning serial killer Jurek Walter (Graham), Jonah must protect all that he holds dear. When the desperate search for Jurek's last missing victim forces Jonah to send his surrogate daughter, FBI Agent Saga Bauer (Beetz), up against Jurek, how far will Jonah go?"
Modern-day homicide detective Mallory Mitchell has grown accustomed to life in Victorian Scotland after traveling 150 years into the past into the body of a housemaid. She’s built a new life for herself. Even though she works as an assistant to forensic-science pioneer Dr. Duncan Gray and Detective Hugh McCreadie, she considers them true friends. And with Gray in particular, perhaps, someday, something more.
Late one night, Gray and Mallory are summoned urgently to the home of Lady Adler, a patron of Gray’s undertaking business, and they assume there's been a death in the household. But instead, they arrive in the midst of a seance with a ghost demanding Gray's presence. The ghost is Lady Adler's former maid, who had gone missing but now requests that Gray investigate her murder. Although Gray and Mallory are skeptical, they agree to look into the matter, whether she's dead or alive. But unsure if there's been a murder or not, unable to call out the medium as a fraud, and concerned for the fate of the young maid, Gray and Mallory are once again drawn into a mystery much more puzzling--and more dangerous--than it first seems.
Armstrong's prose is at once delicate and fine, while also being commanding and sturdy enough to run the plot along at a clip that keeps reader's eyes glued to the page. Though I'm a fan of Scotland and all things Scottish, even if I had no knowledge of the country or its people and traditions, I could easily fall in love with Victorian Scotland and its people just by reading any book in this "Rip Through Time" series. While Armstrong doesn't info-dump on her readers, she does add a lot of information on the Scottish people and their manner of living during this period (the late 19th century) that I found fascinating. I also love the fact that Dr Gray is a person of color, and that by having Mallory, a female, as his assistant, he is ostracizing himself from polite society even more. I would give this refreshing novel an A, and recommend it to anyone who likes historical mysteries with a hint of the paranormal.
Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead.
Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will.
As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.
First of all, its made clear that Yara is autistic and a lesbian, and Adrena is, at the least, bisexual. While that's fine with me, Yara makes a point of repeating how "filthy" and "dirty" men are, and how she despises them, with the exception of God, who, though he's male, is looked on as the ultimate good guy by the protagonists, though its evident early on that God is a manipulative asshole whose only interest is war and death, and the competition being humiliated. God seems to be an immature teenager out for the "fun" of decimating his opponents, even though he actually has control of both sides of the playing field. The prose is dull, the chapters are very short (1-3 pages) and the plot non-existent. The meaning, or the WHY of it all is never really addressed, and the story itself is so loose as to being nonsensical. It was not profound, or captivating, or brilliant at all. And it turns out it was all for nothing in the end, making, again, God to be an asshole and humanity to be blindly idiotic. I truly loathed this book, and would have stopped reading it, but I kept thinking that it had to get better...I was wrong. It never does. I'd give this mashup of words and nonsense a D-, and I wouldn't recommend this book to anyone, ever.
I would arrive, blank like a sheet of notebook paper, and write myself new.
Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.
Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna’s struggle to outrun her past. It’s like she’s stepped into the pages of a glittering new novel, but what will it cost her to play the part?
Sparkling with intelligence and insight, All That Life Can Afford peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you’ve left behind.
So our poor Anna gets swept up in the "high life" of money and alcohol/drug abuse and all the fancy clothes and food that she never had growing up...boo hoo. She also discovers, to her surprise (really? I could have told her that rich young people are jerks and will look for any opportunity to humiliate those they think "beneath" them because they can't buy a soul or a conscience), that underneath the glamor and glitz is a bunch of nasty, evil people looking for someone to crush under their heels, but only after they've manipulated and lied to this someone, to make them feel beloved and secure (they want it to really hurt, after all). Anna, who is, as the Brits would say, "as thick as two planks" (stupid, in other words), somehow thinks that she can re-invent herself as a rich person, even though none of the fancy parties or clothes or money being spent is hers, for the most part. And she wastes what money she does make by trying to impress her new wealthy friends, which is always a losing proposition for the working poor (which she doesn't want to admit that she is...WHY I don't know. There's nothing inherently great about the character of rich young people who have never had to work for anything, and therefore have no values, and little morality). Eventually she sees the light when the wealthy wolves turn on her, and we have the HFN ending of Anna realizing that she's better off being a working person who gets what she pays for herself. Duh. This slowly plotted, overwrought prose of a book doesn't deserve anything higher than a C, and I can't think of anyone to recommend it to.
1983. Becks is nineteen, blasting her Walkman, and hiding from the fact that her beloved uncle, and the only person who understood her, is dead. Luckily, he left her a half-finished video game to complete—one last collaboration to find her way out of loneliness.
2078. Dr. Portman works at the intersection of artificial intelligence and robotics, wrestling with her responsibility to Earth's precarious future. But increasingly, it seems an exceptional project may transcend everything she believed to be possible.
2586. After decades of life on the sea, Yesiko knows a scavenger's work is rife with moral compromise. Yet when a long-lost piece of technology walks aboard her ship, she is set on a path toward a sacrifice even she may be unwilling to make.
Linking these women across the centuries is a chain reaction of love, longing, and creativity that reveals our deep interconnectedness. Clear-eyed and hopeful, Homebound imagines how future generations will find meaning in the things we leave behind.
Though this story takes place in three different eras, there's little that connects them or the women in each trying to create something lasting. There's also nothing "clear eyed and hopeful" about this book, which I found dull and dreary. The only interesting protagonist is Yesiko, who pilots an old ship through a post-apocalyptic world full of terrors, death and disappointment. Becks was an afterthought of a character, and Dr Portman's character doesn't seem to go anywhere, though she does try. But in the end we're left with an emo robot and a ships captain on a boat to nowhere, with no real resolution to the tale at all. The plot bumps along in fits and starts, and the prose is workmanlike and ordinary. I'd give this uninspiring work a C, and only recommend it to those looking for something dull enough to help them sleep at night.