Happy Holidays to all my fellow book dragons! I've been away from my blog for two weeks, and I know that is too long, but things have gone from terrible to horrific in dealing with my husband's decline in mental and physical health, so I've not been able to do as much reading as I'd like, or even sitting down to think and reflect on what I've read, so that I might write a cogent review. However, some good things are on the horizon, some great books and tomorrow starts the next season of the 60 year old (as of yesterday) Doctor Who TV series, now on Disney Plus. There are also some great books to look forward to in the upcoming month and next year, and I'm looking forward to an exciting new year of books with my library book group. So, focusing on what little light that I can see at the end of the tunnel, allons-y!
I loved this book when I was a teenager, so I'm excited to see what they do with it as a staged musical. I'm hoping that they'll film it so that the rest of us, who don't live in NYC and have a ton of money, can see it.
On Stage: The Outsiders Musical
Additional casting has been revealed for the upcoming Broadway premiere of The Outsiders https://www.shelf-awareness.com/ct/x/pjJscQPdxukI6agxJhonTg~k1yJoKXv-hs8x6nED8ehpoMLg-gVdw, a musical adaptation of S.E. Hinton's novel and Francis Ford Coppola's 1983 film, Playbill reported. Previews begin March 16, 2024 at the Bernard B. Jacobs Theatre, with opening night set for April 11.
Newly added to the cast are Joshua Boone (Skeleton Crew) as Dallas Winston, Emma Pittman (Chicago) as Cherry Valance, Daryl Tofa (Back to the Future) as Two-Bit Mathews, and Kevin William Paul as Bob Sheldon. They join previously announced stars Brody Grant as Ponyboy, Brent Comer as Darrel, Jason Schmidt as Sodapop, and Sky Lakota-Lynch (Dear Evan Hansen) as Johnny.
BOOO! This really bums me out. I loved the version of Shadow and Bone that was serialized on Netflix, and I was looking forward to the story continuing with Season 3. But of course, as with many things I love (I'm looking at you, Firefly!), it's cancelled by some corporate bean-counter and leaves fans of the book series bereft.
Shadow & Bone Cancelled after Season 2
The IP apocalypse claims another. As the appetite for money-losing but theoretically platform building properties goes away, this mid-tier, high budget shows are most at risk. Fans of adaptations at least have the books to cherish, and for those new to the series through the show, can at least get those serious cliff hangers taken care of by reading through. I am not sure I would call any fantasy/sci-fi series safe at this point. Maybe House of the Dragon. Maybe.
Meanwhile, this series, which already had a shot and was awful, is being rebooted and will likely get all of the time and money it needs to go for many seasons. The lead role is a white male, after all, and shows like Shadow and Bone that have a female lead which normalizes women being powerful and intelligent, get the ax...misogyny, anyone?! GROW UP, Hollywood!
TV: Percy Jackson and the Olympians
A trailer has been released for the upcoming Percy Jackson and the Olympians https://www.shelf-awareness.com/ct/x/pjJscQKIwuoI6agxcREjTg~k1yJoKXv-hs8x6nFWsOipoMLg-gVdw series, based on Rick Riordan's bestselling YA book series, Variety reported. The show, which follows a 12-year-old boy named Percy (Walker Scobell) who leads a seemingly normal life until he learns he is a half-blood (half human, half Greek god), is set to premiere December 20 on Disney+.
The cast also features Aryan Simhadri, Leah Sava Jeffries, Virginia Kull, Glynn Turman, Jason Mantzoukas, Megan Mullay, Timm Sharp, Dior Goodjohn, Charlie Bushnell and Adam Copeland. Guest stars include Lin-Manuel Miranda, Toby Stephens, Jay Duplass, Timothy Omundson, Lance Reddick, Olivea Morton, Suzanne Cryer, and Jessica Parker Kennedy.
"Unlike with the divisive film adaptations from the 2010s that strayed from the novels, Riordan has been closely involved in the making of the Disney+ series and serves as co-writer and executive producer," Variety noted. Jon Steinberg co-wrote the pilot with Riordan, and James Bobin directed it. Steinberg and Bobin are also executive producers in addition to Dan Shotz, Bert Salke, Monica Owusu-Breen, Jim Rowe, Ellen Goldsmith-Vein, Jeremy Bell, D.J. Goldberg, and Rebecca Riordan.
I read Possession, like most of the world, and was awed by the excellent prose and the spicy storyline. I don't think I read any of her other works, and I wasn't aware that Margaret Drabble was her sister and rival. At any rate, she lead a fascinating life, and leaves a legacy of excellent fiction.
Obituary Note: A.S. Byatt
British author, critic, and Booker winner A.S. Byatt https://www.shelfawareness.com/ct/x/pjJscQKKxO0I6a9nIRkgGA~k1yJoKXv-hs8x6nFWMWlpoMLg-gVdw (Dame Antonia Susan Duffy), "one of the most significant writers and critics of our time," died November 16. She was 87. Born Antonia Drabble, Byatt studied English at Cambridge, Bryn Mawr College, and Oxford. She began teaching at University College London in 1962. The Guardian noted that her first novel The Shadow of the Sun, was published in 1964, just a year after A Summer Bird-Cage, the first novel by her sister, Margaret Drabble, "thus establishing the notorious and possibly exaggerated rivalry between them."
Byatt's reputation grew as she embarked on the Frederica Quartet, charting the changing nature of the female experience in the 20th century with the novels The Virgin in the Garden (1978), Still Life (1985), Babel Tower (1996), and A Whistling Woman (2002). "When she broke off in the middle of this project to write Possession, Byatt found both critical acclaim and a new audience," the Guardian noted. Possession won the Booker prize in 1990, becoming a bestseller both in the U.K. and U.S. The Children's Book (2009) was shortlisted for the Booker Prize and won of the James Tait Black Memorial Prize.
The recipient of many awards, Byatt became a CBE in 1990 and a DBE in 1999. In 2014, a coleopterist working in Central and South America named a species of iridescent beetle in her honor (Euhylaeogena byattae Hespenheide), inspired by her portrayal of naturalists in the novella "Morpho Eugenia" in Angels and Insects (1992). Byatt received the Erasmus Prize in 2016, awarded by the King of the Netherlands.
"She was also remarkable for her generosity to younger writers," the Guardian noted. "At a stage of her career when she might well have been excused for finding her own professional commitments a sufficiently heavy workload, she read new work voraciously. Her floorboards cracked under the load of novels and poems sent to her by writers and publishers who valued her approval far above that of reviewers. She could not possibly have read all of them, but she read an astonishing number."
Writing in the Guardian, Lisa Allardice observed: "She loved Europe, tennis, science, art and languages. 'I think the virtue I prize above all others is curiosity,' she told an interviewer. It is this rapacious curiosity that she brought to her 10 novels, many works of criticism and essays, and in so doing she helped change the British novel into something far more intellectually capacious and outward-looking. Hers was a life defined by literature. 'I'm more interested in books than people, and I always expect everybody else to be, but they're not.' The Dame will be greatly missed."
"Antonia's books are the most wonderful jewel-boxes of stories and ideas," Clara Farmer, her publisher at Chatto & Windus, observed. "Her compulsion to write (A4 blue notebook always to hand) and her ability to create intricate skeins of narrative was remarkable. It was always a treat to see her, to hear updates about her evolving literary characters and indulge in delicious titbits of literary gossip. Like all Chatto's publishers before me, I was devoted to her and her writing. 2024 would have been her sixtieth (Diamond) anniversary as a Chatto author. We mourn her loss but it's a comfort to know that her penetrating works will dazzle, shine and refract in the minds of readers for generations to come."
Jenny Uglow, Byatt's longtime editor, said: "Working with Antonia Byatt was full of surprises.... Like many writers, she could hold the germ of a story in her head for a long time, sometimes for years, but when it emerged she would work on it assiduously in her notebooks and in conversations, reading widely to clarify the background of intellectual movements and artistic ideas, and mapping every scene in detail in her head, from the colors of clothes and the names of minor characters--which were often bizarre--to the complexity of train timetables. Finally, the shape was fully formed in her mind. Then it would flow on to the page, with not a change to be made."
Wolf Hall was ground breaking, so I'm delighted to see that they've decided to continue through the final novel in Mantel's trilogy. Mark Rylance is a wonder as Thomas Cromwell. He plays the role with quiet menace and stringent competency and intelligence.
TV: Wolf Hall: The Mirror and the Light
Wolf Hall: The Mirror and the Light https://www.shelf-awareness.com/ct/x/pjJscQKLkLoI6a9nJxt3Hw~k1yJoKXv-hs8x6nFWZHypoMLg-gVdw, based on the final novel in Hilary Mantel's award-winning trilogy (Wolf Hall, Bring Up the Bodies), will begin filming shortly, according to Masterpiece PBS and the BBC. Reuniting the creative team from the BAFTA and Golden Globe-winning first series, the project will be directed by Peter Kosminsky (The Undeclared War, The State) and adapted for TV by Peter Straughan (Tinker Tailor Soldier Spy; Frank).
Mark Rylance and Damian Lewis will reprise their roles as Thomas Cromwell and King Henry VIII, respectively. The cast also includes Jonathan Pryce (Cardinal Wolsey), Kate Phillips (Jane Seymour), and Lilit Lesser (Princess Mary). Other returning and new cast members will be announced at a later date.
"The Mirror and the Light picks up exactly where Wolf Hall ended, with the execution of Henry VIII's second wife, Anne Boleyn," said Kosminsky. "I'm overjoyed to be able to reunite the extraordinary cast we were lucky enough to assemble for Wolf Hall, led by the brilliant Mark Rylance and Damian Lewis, with the original creative team of Gavin Finney (DOP), Pat Campbell (designer) and Joanna Eatwell (costume designer). We are all determined to complete what we started--and to honor the final novel written by one of the greatest literary figures of our age, Hilary Mantel."
This was another classic tale that I loved, and I'm looking forward to seeing it on TV or whatever streaming service picks it up.
TV: The Count of Monte Cristo
Jeremy Irons has joined the cast of Palme d'Or award-winning director Bille August's (The Best Intentions, Pelle the Conqueror) limited series, The Count of Monte Cristo: https://www.shelfawareness.com/ct/x/pjJscQKMwu4I6a9nKhpyTg~k1yJoKXv-hs8x6nFXsOmpoMLg-gVdw, a "sprawling adaptation" of the classic novel by Alexandre Dumas, Variety reported. Irons portrays Abbe Faria.
The English-language project is produced by Italian company Palomar (That Dirty Black Bag, The Name of the Rose), in collaboration with French banner DEMD Productions. The five-month shoot will wrap in Malta in December, after having filmed in France and Italy. This marks Irons's third collaboration with Danish filmmaker August, who directed him in Night Train to Lisbon and The House of Spirits.
Starring Sam Claflin as Edmond Dantes, The Count of Monte Cristo's cast also includes Ana Girardot, Mikkel Boe Fasgaard, Blake Ritson, Karla-Simone Spence, Michele Riondino, Lino Guanciale, Gabriella Pession, and Nicolas Maupas.
Noting that the journey to make the series "started five or six years ago," Carlo Degli Esposti, Palomar's co-founder and veteran producer, said, "The Count of Monte Cristo was my bedside book and it's been my lifelong dream to adapt it into a film or a series," adding that project will have "a modern edge while remaining faithful to the legacy of Alexandre Dumas's work."
Murder in the Merton Library by Andrea Penrose is a historical mystery/romance novel, and the 7th book in the wonderful Wrexford & Sloane series, all of which I've read and enjoyed. Though the books take place in the early 19th century, the lives of Wrexford and Sloane and their adoptive family is quite delightfully modern and progressive. Of course, the romance of the two main characters is also remarkably balanced and equal, and their adoption of street urchins is heartwarming as ever. Here's the blurb:
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