Blackstone Launches Whoopi Goldberg's WhoopInk Imprint
Whoopi Goldberg, the award-winning actor, co-host of the View, and author of more than two dozen books, is expanding her partnership with Blackstone Publishing by launching her own book imprint: WhoopInk.
Goldberg "will curate the WhoopInk imprint focused on bringing fresh, diverse new talent to the marketplace, revisiting the works of beloved authors, and releasing eagerly awaited new influential memoirs," the publisher said.
Blackstone will initially acquire a selection of genre-spanning titles reflecting Goldberg's interest in "literature that is inclusive, heartfelt, richly crafted, generationally relatable, often comedic, and insightful." She will be "intimately involved in the publishing process, including selection, acquisition, cover design, and promotion," the publisher noted.
Goldberg's own future works will also be included under the imprint, including a follow-up to Bits and Pieces: My Mother, My Brother, and Me and a nonfiction title coauthored by her longtime Whoop, Inc. business partner Tom Leonardis. Blackstone is releasing the revised and updated paperback edition of Bits and Pieces on April 14.
"I'm personally looking forward to finding new authors, working with established authors, and bringing influential voices into a curated imprint," Goldberg said. "I'm looking forward to working with Blackstone, who have been a powerhouse in the audio space and have been flourishing in print over the past years. WhoopInk will cater to audiobook lovers, like me, and get important stories into more hands and ears across the globe."
Blackstone president Anthony Goff noted that Goldberg "is well-read with exquisite taste of what defines a great book. I look forward to curating an important list of works with Whoopi, Tom, and her team as we look to impact the future of this great industry together."
This sounds like a wonderful movie...I will have to keep an eye out for it.
Movies: Beach Read
Patrick Schwarzenegger (White Lotus) will star opposite Phoebe Dynevor in Beach Read, 20th Century Studios' adaptation of the 2020 bestselling novel by Emily Henry, Deadline reported. Yulin Kuang, co-writer of Netflix's People We Meet on Vacation, is directing from her own script, with Neal H. Moritz producing via his Original Films. Karina Rahardja will exec produce. Sarah Shepard and Catherine Hughes are overseeing for 20th.
Beach Read follows January Andrews, "a successful romance novelist who struggles with grief and writer's block after her father's death and the discovery of secrets he's long kept hidden," Deadline wrote. "While spending the summer in his Michigan beach house to prepare it for sale, she unexpectedly reconnects with Gus Everett, an author who was once her rival in college. Both creatively stuck, they agree to a writing challenge over the summer, swapping literary genres while promising that there will be no romance between them."
I remember reading this back when I was in my late teens, and being moved by all that Gordon went through with addiction. That she lived to be 90 is amazing.
Obituary Note: Barbara Gordon
Barbara Gordon, whose bestselling 1979 memoir of prescription pill abuse and a mental breakdown, I'm Dancing as Fast as I Can, was adapted into a movie starring Jill Clayburgh, died April 7. She was 90. The New York Times reported that the book "found a wide audience in an era when prescription drug abuse was far less well known than it is today, when checking into 'rehab' to kick an addiction was not nearly so commonplace, and when mental illness carried a far greater stigma in work and social life."
In 1975, when she was 40, Gordon was an Emmy Award-winning documentary writer and director at WCBS in New York, with an addiction to 30 milligrams a day of Valium, which a psychiatrist had prescribed for her anxiety. "When she told her doctor that she wanted to stop the pills, he assured her they were not addictive and instructed her to quit 'absolutely cold.' Instead of easing off the medication, Ms. Gordon spiraled quickly downward to the edge of psychosis. Unable to work, she spent months in two mental hospitals," the Times wrote.
Gordon began writing her memoir in 1977, after leaving the second hospital and discovering she couldn't find work in media. "Maybe it was stigma, maybe it was timing," she observed, "but I couldn't find a job in the business I had worked in for 20 years."
Her memoir, an indictment of American psychiatry, sold more than two million copies. She described herself as "a victim of the individual and collective ignorance of a profession that, because it is essentially unmonitored, attracts into its ranks a brand of charlatan that wouldn't dare practice in other branches of the medical establishment."
Harper & Row paid a modest $7,500 hardcover advance, but I'm Dancing as Fast as I Can was a big bestseller. Paramount paid $200,000 for the film rights and Bantam bought paperback rights for close to $500,000.
Gordon wrote two other books, the novel Defects of the Heart (1983) and Jennifer Fever (1988), a work of pop sociology about older men in relationships with younger women. Although most of her therapists had been men, Gordon also wrote in detail in her memoir about her sessions at the second hospital with a female therapist she called "Julie."
"I have a haunting, almost obsessive picture in my head, Julie," she recalled saying in one session. "Thousands of women all across the country being given pills by male doctors. Men sedating women, tranquilizing them, helping to rob them of themselves. It's obscene."
The Book Club For Troublesome Women by Marie Bostwick is historical feminist literature that was by turns poignant and profound. Here's the blurb:
I hate that the blurb writer here tries to "tone down" the feminism by calling it "sisterhood" and the book a "nostalgic romp" when there's very little "romping" or playfulness going on at all. This book provides a window into the lives of these women who are discovering themselves during turbulent societal change in 1963, the year that JFK was shot and killed in Dallas. I loved that once they read Betty Friedan's masterpiece, that they moved on to Charlotte Perkins Gilman and Sylvia Plath and Virginia Wolfe...each woman took these messages of standing up to the patriarchy and misogyny in different ways, but each changed their lives in significant ways due to realizing that their power was theirs for the taking. The prose was spirited and the plot full of evocative characters that kept things moving rapidly. I couldn't put it down. I'd give this book an A, and recommend it to anyone who enjoyed Lessons in Chemistry or any other recent historical feminist fiction.
The Story Collector by Evie Woods is historical romantic fantasy that takes place in Ireland during two different eras, and is fascinating and gripping right from the first chapter. Here's the blurb:
Having visited Ireland 26 years ago, I can honestly say that I felt the same as the female main characters about Ireland's magical beauty. I also felt that the people were amazing, just as Anna and Sarah do, and I loved the storytelling and musical heritage that the Irish were so willing to share with Yankee tourists like me. This book is beautifully created, with gold embossing on the splendid cover, and the prose, though taut and simple, helps the fantastic plot move along at a rapid pace that never flags or gets caught in an infodump. I'd give it a B+ and recommend it to anyone who has ever been, or wants to go, to the Emerald Isle.
Every retirement plan has flaws. Beatrice's involves spontaneous combustion. After a small incident involving her dragonfire and a very flammable library, sixty-three-year-old Beatrice Ashcroft retreats to Emberville to run her family’s bookshop. She wants peace, pastries, and absolutely no incidents that require a fire extinguisher.
Unfortunately for her, the Ashcroft Bookshop has other plans.
Warmth hums through the floorboards. Runes shimmer across the walls. A ghostly founder sends unsolicited mail. And the town council cheerfully informs her that unless business drastically improves, the shop will be reassigned to a “more suitable custodian” by week’s end.
Her only hope? Partnering with the one person she hoped to avoid for the rest of her natural life: Celeste Moonshadow, an impeccably dressed high-school rival turned werewolf councilwoman.
Between a talking pig who insists on acting like the world’s grumpiest housecat, a teenage assistant with unpredictable moonlit magic, and a powerful ex-boyfriend who still thinks the quickest way to a dragon’s heart is through her two stomachs, Beatrice begins to suspect a truth she’s avoided for decades: maybe not all problems can be solved with dragonfire.
This cozy fantasy blends magical bookshop charm, lighthearted adventure, and found family warmth. Tea, Tomes, and Dragons offers a feel‑good mix of midlife magic, gentle mystery, and whimsical worldbuilding.
The trade paperback copy that I bought was printed in larger type, which I appreciated, as an older reader, but it was the delicious and humorous prose and the lickety-split plot that kept me reading into the wee hours. Also, who knew that Dragons were big on pastries and sweets, like cookies? It makes sense, if you think about it, that they would have a fast metabolism that burns calories quickly, and therefore dragons, even in human form, need to snack throughout the day. But that and the smug and arrogant teacup pig (who believes he's really a cat) made the whole plot seamless and easy to read and understand. I loved it, and I loved the treasures that they uncovered, and the way that the town embraced Bea and her wee piggie. I'd give it an A- and recommend it to anyone who loves bookstore cozy mysteries and fun characters.
A Town With Half The Lights On by Page Getz is a small-town epistolary novel that is so well written you'll be halfway through the book before you realize it. Here's the blurb:
This "found family" novel had me at hello. Though I've lived in large cities (Boston) I grew up in small towns in Iowa, and I know how the two differ in terms of living a good life. People care about one another and the town in small communities, while big cities tend to be anonymous and cold, full of people who do not engage with one another unless absolutely necessary. There's a cynicism that is lacking in small towns, and none more so than this dying town of Goodnight. It falls upon the newcomers to save the local diner, and then to save another business, and finally help the town buy the big tire factory and set up a co-op, so they're all owners and all are paid fairly. There's something so satisfying about triumph against corporate greed, that I found myself cheering them on several times in the book. The prose was light and airy, and the plot swift and meaningful. I'm a big fan of epistolary books (told through letters and emails) so this one went down a treat. I'd give it a B+ and recommend it to fans of Fannie Flagg and the Mitford books.
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